The Neptunes assist on 'Green Light,' an ambitious, fleet-footed number that continually switches tempos and sounds, as well as 'Kitty Kat,' a deceptively sweet, rainbow-colored track where what sounds like purrs are more like claws-out dismissals that could've been pulled from one of the first three Kelis albums. Two collaborations with Rich Harrison swagger and preen: 'Been locked up in the house way too long/It's time to get it, 'cause once again he's out doing wrong' (the blaring/marching 'Freakum Dress') 'Don't give me no lip, let mama do it all' (the spectacularly layered 'Suga Mama'). While Beyoncé does sound like she's in a bit of a hurry throughout the album, and there are no songs with the smooth elegance of 'Me, Myself and I' or 'Be with You,' it is lean in a beneficial way, propelled by just as many highlights as the overlong Dangerously in Love. Add to this an album title that can be pronounced just like 'bidet,' along with the advertisement that the album's ten songs were whipped up in two weeks, and you have yourself a career-killing train wreck. All of this gave the haters plenty of ammo when anything less than 100 percent polite, ladylike, and expected was bound to do the trick. This was quickly followed by 'Ring the Alarm,' an angered, atonal, and out-of-character song with an accompanying video that invited all kinds of perplexed analysis, along with debate on whether Beyoncé was being autobiographical or, as the singer claimed, channeling her Dreamgirls character. The lead single, the late-'70s-funk-inspired 'Deja Vu,' had the audacity to not be as monstrous as 'Crazy in Love' its stay at the top of the charts was relatively brief, so clearly there was evidence of some drop-off there.
Conan's father told his son that only when he was 'man enough' (i.e., strong enough) to push off the stone slab, could he rightfully claim the sword.Īt least one tactic or event preceding the release of Beyoncé's second solo album inspired a bemused three-syllable exclamation from anyone who was paying attention. It was laid in a crypt and covered over with a heavy stone slab. He sold them, but his finest work, a magnificent sword, he kept for Conan. Conan's father, the village blacksmith, used the ore from the meteors to forge Star Metal and used it to create various tools and weapons that would never rust or break or dull. Conan collected them and brought them back to his family. While out with his grandfather one night on a trek, 'fiery tears' or meteors dropped from the skies. Info: Conan lived in Cimmeria with his parents throughout his childhood.
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